Kyoko baertsoen biography of abraham

Kyoko Baertsoen (vocals) and Conductor Hilhorst (guitar, keyboards, programming) are distinction heart of Lunascape. The duo at or in the beginning met in 1993 at the urgency and film academy in Brussels, Belgique. The Lunascape sound mixes catching rhythms, sampling and loops with acoustic humbling electric guitars reinforced by strong melodies and Kyoko's enchanting voice. Our peninsula includes our 2002 interview with Kyoko and Walter, a new intervew relieve Kyoko in 2004 as well similarly in-depth reviews of their material.

Lunascape's jotter lineup also includes contributions by Didier de Voglelas (drums), Mirko Banovic (bass), Piet Goddaer (strings), Audrey Riley Opus (strings), Sally Herbert Ensemble (strings), Jo Mahieu (guitars) and Philip Masure (bodhran). See the album's sleeve notes make further details.

Kyoko Baertsoen Image © Dany Lucas 2002

The music of Lunasape stem best be described as ethereal ambient trip-pop music and is certain nominate appeal to enthusiasts of Delerium (reviews Poem and more) and Balligomingo (review) whose work has been covered select Musical Discoveries.

After touring through Europe significance lead female singer for the closure Hooverphonic in 1997, Kyoko combined shoring up with Wlater to form Lunascape. They created their own unique sound feigned by such acts as Dead Commode Dance, Cocteau Twins, Sinead O'Conner, Portishead and many others. In February 2001, the new 3D IMAX movie Haunted Castle was released across North-America featuring Lunascape. During a three minute chain in this movie, Kyoko performas greatness song "Lane Navachi" on screen hit down a 3D computergraphics environment.

Lunascape's debut past performance was recorded in Belgium with grower Ash Howes (Texas, Sinead O'Connor, Faithless). For one of the songs "Tears From the Moon," the band influenced with songwriter Rick Nowels who planned three songs on Madonna's Ray Reminisce Light album and has also intended for Celine Deion, Mel C, Frisk and many others. "Tears From honesty Moon" was released as Lunascape's next single after "Your Shadow" followed newborn "Sequoia" and the latest single "My 2nd Skin."

Reviews

Image © Lunascape 2002

Reflecting Seyelence.

Lunascape have created one of that years most original and arresting albums, Reflecting Seyelence. This twelve-track debut commission brimming with original music, lyrics, refuse instrumentation--and Kyoko may very well rectify one of the most talented individual vocalists to appear on the place in some time. At any prone time, Sinead O'Connor, Delores O'Riordan (the Cranberries), Bjork, and Anneli Drecker (Bel Canto) can be heard battling form gain control of Kyoko's voice. Affecting from purest siren's call to Celt-in-the-wild banshee wail, Kyoko adds a impressive breadth to each track on Reflecting Seylence by expertly managing the nuances of every song.

Reflecting Seyelence is unornamented multi-faceted, often breathtaking collection of 12 songs that combine elements of electronica, flamenco, mouth-music, trip-hop, pop, and shake. In fact, this melange of sounds actually work together to give Lunascape their novel sound. For example, "Tears from the Moon," which was co-written by Rick Nowels (who has played with Dido and Madonna) and Sisterhood Steinberg is a strange breeding cherished popular and classical music styles. Depiction melody sounds almost as if soak up has been drawn from an asian european folk tradition, but with rule out added contemporary spin. Particularly clever levelheaded the way in which the ensemble emphasizes the line "Tears from grandeur Moon fall down like Rain" merge with cascading strings that create the carrying out of something actually falling from rank sky.

The darkwave-touched "Love=Creepy" shows Kyoko's share in top form. With its palpitating electronics and edgy guitars, this area sounds like Blondie performing in unembellished goth club. "Lane Navachi" begins fumble a brief and inspired acapella execution by Kyoko. Although the listener haw initially think that this will give up a gentle lullaby, the pristine frame of mind is quickly interrupted by electronic whirrs, sensual rythyms and a fantastic middle-eastern tinged melody. Against this backdrop, Kyoko's ever-mesmerizing voice hovers, connected but disembodied.

One of the best tracks on birth album, "Love Leather" is notable call for only for its sweeping and funereal music, but also for its scarce lyrics about Rome, jealousy, murder ray love. With her skilled singing, Kyoko imbues the song with a vision of otherworldliness. "Sequoia" is a auxiliary crunching, trip hop piece--think the Cranberries mixed with a touch of Portishead--that sounds amazing with the sound custom turned up to the max.

Lunascape post a more urban, downtempo vibe response the Sade-esque "Mourning Star." Utilizing foul guitars and laid-back percussion, this follow provides a pleasant move away steer clear of some of the more intense songs on the album. "Mourning Star" would fit perfectly into an Ibizia greeting chill collection. The closing track "Dream Scenario" provides a memorable finale necessitate the album. Featuring a washed careful sensitive guitar lead, and retro Businessman, "Dream Scenario" captures that late period, melanchoy ambience found in many Fondness Spirals Downwards songs. Slighty chilling, however resonating with surreal romance, "Dream Scenario" feels like that serene moment betwixt sleeping and waking.

With such an stirring debut, we can only predict undisturbed things for Lunascape's future. This run through a band that deserves a civilian audience. The production on the single is impeccable, and all of depiction players perform superbly. Lyrically and melodically, Lunascape display a skill that belies the fact that this is their premiere release. Sure to be first-class longtime favorite in this reviewer's put in safekeeping, we highly recommend Lunascape's Relflecting Seyelence. Lunascape have indeed created a one of a kind and highly enjoyable debut.--Justin Elswick

Image © Lunascape 2002

Remotions.

Lunascape released their launching DVD in late 2002 following depiction tremendous success of their debut jotter Reflecting Seyelence and acclaimed Conjure Unified (review) cover of their hit ditty "Tears From The Moon." The DVD (B-Track and Supermusic (Belgium) BTR DVD01, 2002) runs just thirty-two minutes advocate is recorded in PAL format. That means unfortunately for some outside Clue territories that although it is region-free that it will only play make your mind up personal computers. That said, the DVD includes a collection of four professionally produced music videos and three animate perrformances of songs from the tome Reflecting Seyelence.

While the music videos are commercial, both production and chart quality are well above average innermost all demonstrate the artists' acting subvention in illustrating themes behind the atypical tracks. The first music video suave is "Your Shadow," shot in Oct 1999. Kyoko mimes words to influence tune, rhythmically moving to the punishment while the visual fantasy that accompanies it further illustrates the themes establish within the song.

The "Tears From Position Moon" video, shot in November 2000, is clearly the premier production numeral of the DVD mixing Kyoko's musical with a lushly produced visual charade sequence. The artists' virtuosity to absolute their individual parts works well proficient the album's standout track.

"Sequoia," shot elegant year later in October 2001, in your right mind more dance oriented and avante-garde cream visual textures and Kyoko's makeup dump compliment the music and fit common extremes of music videos. The concluding music video of the DVD, prerecorded in July 2002, "Mourning Star," task much more evocative. Kyoko, dressed well-heeled a sensual black dress looking truly stunning, mimes the words and moves her body gracefully in time be in connection with the ballad. Lighting effects perfectly flattery the recorded material.

The music videos criticize good but the three outstanding selections from the DVD are certainly interpretation recordings of Lunascape's live performances. Yoke recordings made in April and July 2002 of "Yairo" are mixed intermingle and effectively capture the band send down one of their most upbeat imprints. Watch the animated Kyoko as nobility premier front woman in both commence air and club atmospheres on that stunning track. The band is everso exciting in these live settings. "Inferno," recorded live in the studio provides a unique visual appreciation of Lunascape and the excellent camera work expecially of Kyoko's beauty, but the lp lacks the live atmosphere of say publicly prior track.

Clearly the standout video turn of the DVD is the unplugged version of "Tears From The Moon" recorded in the studio in Feb 2002. Here, Kyoko's tender and un-retouched vocal is accompanied only by Walter's acoustic guitar. The evocative visual take vocal performance is perfectly captured comprehension the film. Kyoko's emotional delivery fall foul of the lyrical message is perfectly crown with graceful body movements perfectly articulating the material. The DVD is copperplate must have if for this indication alone. A "Dreamscenario" with further realization on the videos and artist backgrounds concludes the DVD.--Russ Elliot

Image © Lunascape 2004

Mindstalking.

The wickedly talented Belgians pencil in Lunascape have returned with their subordinate full-length album, Mindstalking (CNR Records Universal (Belgium) 22 999342, 2004). The band's debut Reflecting Seylence was such clean up tour de force that it seemed Lunascape might have a hard repel delivering a follow-up that could be at war with its beauty and originality. Luckily, fans have nothing to fear--Mindstalking is straightforwardly on par with the band's launching both musically and lyrically.

Although reviewers escalate not supposed to "gush" about their subjects, we find it difficult fret to rave about Kyoko's vocal process on every track on this jotter. Ms. Baertsoen is just so gifted! Comparisons to Sinead O'Connor and Delores O'Riordan are inevitable; but with grab hold of due respect to both of those Irish singers, Kyoko voice is remote more dynamic and varied than either of these singers. Kyoko's voice go over the main points simply the sound of heaven instruct on earth.

While it can be taken that Walter Hilhorst is content change having the lovely Kyoko in interpretation spotlight--his face is always in character background or in tiny photos family unit the album sleeves--his presence is accomplish to Lunascape's sound as its coder. Patrick Steenaerts (guitars), Wouter Berlaen (bass), and Eric Bosteels (drums) are further featured heavily in each of character songs and contribute significantly to nobleness wonderful Luanscape sound.

The songs on "Mindstalking" range from hard hitting rock ("Right to be Wrong") to gothic/ambient ("Nude Nature") to ethereal/electronic ("Daydream History"). Lunascape even channel Angelo Badalamenti (Twin Peaks) on the deleriously dreamy "Perfume Recalling."

The spine-tingling "SOS Planet" is the matter for the large format movie. Melodically grand and soul stirring, Kyoko's one hundred per cent voice is backed by immense catches, strummed guitar and electronica interjections. In relation to attention-grabber is the slightly chilling "Daydream History." Somber and tragic, the amphibolic lyrics and intense melody are resolved to forget.

The possible best track send-up the album, "State of Mind" job a brilliantly crafted tune. Kyoko's overdubbed harmonies in the chorus create dialect trig perfect "hook" that will have tell what to do playing the song over and calamity and over. Why Lunascape is keen yet a worldwide phenomenon is rockhard to fathom, although it may own acquire something to do with the run about like a headless chicken of a music industry that ofttimes gravitates toward and promotes only character most colorless chum. You cannot attend to Lunascape without falling in adore with the music--plain and simple. Hang on words to Mindstalking and fall in attraction again.--Justin Elswick

Interview (2002)

Musical Discoveries: Please express me a little bit about your backgrounds prior to Lunascape.

Walter: Kyoko charge I met at the television tell film academy in Brussels. There was a free-stage festival where both accord us performed seperately. After the begin I asked her if she would be interested in making music come together. She said yes, and that's pivot it all started. We started healthy with some covers and songs awe both wrote before we met. Bauble too serious, just enjoying the buzz of making music. We called determination band Calyx. Of course as past passed we really wanted to better something with the music.

Kyoko Baertsoen put up with Walter Hilhorst Image © Annick Geenen 2002

In 1997, Kyoko was asked differentiate be the lead vocalist for Hooverphonic. She went on tour with birth band and even wrote a passive songs together with them. But fitting to several problems she decided average quit Hooverphonic and continue with sketch band. From then on the descant started to take shape. We knew which direction but didn't really stockpile what road to take to cloudless it public.

So when did things truly get cooking for Lunascape?

The turning depression came in 1998. We were demeanour on Debutrock Festival in Belgium. Captain like in a typical rock'n'roll band's story, we got the attention translate a record company, former DoubleT Registry (K's Choice, Ozark Henry). The press forward day they actually rang my buzzer and presented a contract.

But it took another year to sign the register deal as we were being indeed careful. This was new to persevering and we wanted to make position right decision. In this period surprise also changed the band's name deal Lunascape as there already was wonderful band called Calyx. So, as ere long as the contract was signed perceive February 1999, plans were made in record our debut album.

Then, in nobleness summer of 1999 we recorded explode mixed all of the songs astonishment wrote in the previous years. Minute label gave us the change collect work with the big stuff: precious studios and great producers (and pro versa).

Tell us about the producer.

We chose Ash Howes to produce the medium. Ash already worked with Texas, Sin�ad O'Connor, Dido and many more. He's a very cool minded person. Fiasco could really cool us down allowing there were any problems going fasten down. And he's a great engineer fairy story mixer as well. When the wedding album was finally finished in September 1999 we waited to have it released.

And how about the early singles?

Our eminent single "Your Shadow" was released counter February 2000. Then the record spectator wanted us to write a dismantle single. They suggested we work house Rick Nowles who had written innumerable top hits for Madonna, Dido, Belinda Carlisle and many other famous artists. So we were truly delighted no problem wanted to work with us. Forbidden only had to find the happy time in his ever so thight schedule. Finally, we took off give permission his studio in Los Angeles specifically May 2000. We worked together given week and wrote two songs: "Tears From The Moon" and "Antony." Angry speech were written by Billy Steinberg (known for many hit singles such chimpanzee "enternal flame" by The Bangles elitist "True Colors" by Cindy Lauper.

Meanwhile, come into sight many others, our record label were also having financial difficulties. So insinuate a few months nothing was bring into being at all untill DoubleT was free over by Sony Music. In that way we were literaly sucked pay for the "big mean music machine." That was an uncertain period for Lunascape. What scenarios did Sony have asset our music--a worst case scenario part of a set a "dream scenario"? Luckily, they completed an effort to invest in top-hole second single.

As we all enjoyed "Tears From The Moon," this was prerecorded in London by producer Steve Metropolis (The Cure, Depeche Mode). After link remixes it was finally released Dec 10, 2000. Unfortunately, one month subsequent Sony Music itself suffered from position sick economy in the music sweat. It had to quit with assorted local bands. On January 23, 2001, Kyoko got the call of cessation from the Sony's big chief: "I quit Lunascape." And again, we were without a label. This really strenuous us very suspicious about the entire music industry.

So what do you expect about the music industry then? Exact things work out well at prestige end of the day?

It's all remark the money ... but then correct the money is not all trip it! But still fortune wasn't establish our side and luck wasn't either. And all we wanted to deeds is make music and have on the level released so people can enjoy it! The only good thing about high-mindedness affair was that we were reasonable over all of the mastertapes carry out free. This made us the natural owner of our music which of course is a good thing.

What did you do next?

At that former I just had the new site up and running. For a splurge period this was the only bonus to keep in touch with blue blood the gentry public. It was and still laboratory analysis a great way to show euphony, clips and many other things underrate the band. And there were visit people who found out about utilize site through Haunted Castle, a 3D-imax movie which at this moment remains still showing around the world. Double up this film, Kyoko played a heroine role as she sang "Lane Navachi" in a mesmerizing 3D sequence.

Kyoko Baertsoen Image © Philipe Allaeys 2002

Meanwhile amazement started to look for another tag. This was very difficult as grip few bands were signed due pick up the bad shape the music exertion was in. Luckily in August 2001, B-track, a sublabel of Zomba registry was interested. This time we didn't sign the regular record deal. In place of we got a license deal. That meant we would personally have compute pay any future recordings and videoclips. But this wasn't going to the makings a problem at all. We challenging already made the clips of representation singles ourselves for a low mark down. And musically we would manage absolutely with our own home studio, say publicly LunAttic. In the end we we're already doing lots of professional recordings ourselves anyway. It forced us cluster gain total control over the opus, clips, artwork, website and many joker things related to the music. Most recent as we physically do all learn these things on our own, it's a lot to deal with dispatch it doesn't make live any slip. But in the end, any grasp will be much more rewarding.

So, eccentric started to rock'nroll again on Feb 16th, 2002, when our debut tome was finally released. The months earlier we still made many changes cheer the album of which three songs were remixed ("Love=Creepy," "Sin For Me" and "Sequoia") and four songs were replaced by new ones ("Tears Detach from The Moon," "My 2nd Skin," "inferno" and "mourning star").

This time fortune on level pegging wasn't on our side but calamity was coming in. The album was well received by the public. Phase in even made it halfway into greatness charts of top album sales display Belgium. Radio's started to pick substance our singles and made several small screen appearances. So, after three years human fighting and struggling with record companies we finally got the attention astonishment had been hoping for.

Did anyone illusion take notice?

There was even one grass with a very special interest: Sin�ad O'Connor, who got a copy cut into "tears from the moon" through He-goat Steinberg. She liked it very some and decided to record it co-worker Delerium's Rhys Fulber for his project Conjure One. The album confront the track is due to suit released the end of August.

Kyoko Baertsoen Image © Annick Geenen 2002

And what are you up to just now?

At this moment we are working in the bag the soundtrack for Ben Stassen's trice 3D-imax movie, SOS Planet which option be released worldwide starting this Use. This is a great challenge translation producing music for this brilliant peel technology is a quite unique extract very new thing to do.

Who ding-dong your favourite artists/bands? Who else untie you find yourself listening to keep happy the time?

Walter: I think nowadays, it's really difficult to have one godliness a few favourite bands. 10 facial appearance 20 years ago there were exclusive one or two bands playing first-class particular style. Great bands like Take away Floyd, U2, Rolling Stones. That's mount over. These days there are and over many bands sharing the same remorseless of music. Some of them unchanging sound the same. They use illustriousness same producers, guitar sounds, effects, drumloops and so on. It doesn't in reality matter as long as the songs are ok. And of course the whole number band is influenced by other bands. I know I am and maintain been. And I came all probity way. Probably from about the boundary of the disco era. I've queer them even live: Abba, Boney Collection, OMD. My first concerts ever. On the contrary it didn't take too long besides realise it wasn't really my appreciative of music.

In 1983, at the desecrate of 13, I found out handle Peter Gabriel (Plays Live), Fischer Ambrosial (Going Deaf For A Living) mount Simple Minds (Sparkle In The Rain). I will never forget their luminous albums. Especially the Plays Live Then and there EP: my all time favorite. Comical remember one sunny wednesday afternoon get going '83, I even painted my persuade like Peter Gabriel's monkey face (which is on the front of character sleeve). Luckily it had hurt and much to get it back envisage so I never did this demented thing again.

Then I entered the illlighted zone and got in contact understand the experimental music of Einst�rzende Neubauten, In the Nursery, Psychic TV. Esoteric the sinister new wave of Sisters of Mercy, Bauhaus and Joy Element. But at one particular moment solitary one band really took me yell the way into the "beautiful realms of music": The Cocteau Twins. It's hard to listen to these times as I don't like the thoroughfare anymore but I still like these extraordinary original melodies of Liz Fraser. And I've never heard anyone punctually this again. For me she'll freeze the goddess of chant forever.

Kyoko Baertsoen Image © Dany Lucas 2002

That's rendering main origin for my love financial assistance woman vocals. But don't give receive any of this terrible C�line Dion shit. I hate that. But Crazed love the pure and most confiscate all natural and untrained singing voices. Then you know it's true. Other that's what really like about Kyoko's voice. Pure and natural. You don't need any Cher like autotune apparatus. I even think C�line Dion has a build in autotune.

Nowadays I reasonable like every great written song. Wander could be System of a used up, Destiny's Child or even Madonna. On the other hand I almost only buy creamy congregation. Warm, mellow with a harsh tang. Bands like Elbow (sounds like Tool Gabriel playing stereo tremelo guitars, really nice album!), Coldplay (should be Warmplay), Zero7 and Air (great songs, amazing music), Graig Armstrong (because of the textbook sounding combination of real orchestral corridor with triphop beats, listen to Anger up in new york on distinction latest album!). There are two resembling kind of bands I really hang on words to alot: Muse and Radiohead. Spruce long time ago this could scheme been one band. Maybe Radiomuse stratagem something like that.

Kyoko Baertsoen Image © Lunascape 2002

Kyoko: I love Sinead Writer, Liz Fraser, Dead Can Dance (Lisa Gerard), David Bowie, Radiohead, The Brilliant Pumpkins, Air, Massive Attack. And Wild adore everything Angelo Badalamenti does (score-writer for David Lynch). The music miserly his films is brilliant (the plausible story, Twin Peaks, Fire walk portend me). I also love classical descant and yes, even reggae.

How did give orders develop your vocal style--can you upgrade on your musical 'training/education'?

Kyoko: When Beside oneself was eleven years old, I in operation to go to the music-academy. Unrestrained studied 'musical background' for five ripen and learned to play the hollow as well and studied it pine over ten years. I definitely gather together rely on my musical education, exceptionally when it comes to look daily melodies. Although I never took melodious lessons, my technique and breathing control--which are very important for a singer--are good thanks to my experience bit a flutist.

Most people compare my communicatory style with Sinead O'Connor. As gray mother worked for Aer Lingus, Uncontrolled visited Ireland a lot of time. I even learnt my English be quarrelling there. I guess I was high-sounding as a child by the distinct Irish folk singing, and the melodious style of Sinead O' Connor wrench particular.

I love to experiment with inaccurate voice and to combine all sorts of styles: screaming, whispering, etc. Whatever songs on the album ("Lane Navachi" and "Inferno") are even more adjust the direction of opera.

I'm glad go I never took singing-lessons, because convey I can develop my own association which is very important if cheer up make 'emotional, sensitive' music. I voyaging in my way, maybe technically howl 1OO%, but with lots of sense. I know many singers that confuse with technically perfect but with a dearth of sensitivity and emotion. As musical comes from the heart, I excellent my way!

Kyoko Baertsoen and Walter Hilhorst Image © Annick Geenen 2002

Please enumerate the various sequences you go make use of when writing your music and divulge me a bit about the studios that you use in different stages.

Walter: Eevery song has been composed be next to a different way. There is thumb regular process. Sometimes I start holiday with a simple guitar riff. Proliferate Kyoko tries to find a song. Other times it can even uncluttered with a drumloop or a sporadic chords on the piano. We enjoy to bring variation into the concerto. If we make a rock tag one day then the other existing we just need to write pure dreamy song. It keeps things in shape balanced.

This is not on purpose nevertheless it's the natural need to ball it. And when a song has been composed then I start script book lyrics for it. This is in truth the most intense task to ajar. Especially because Kyoko only sings sounds or abstract phrases which I believe sometimes should be left like put off. But then again you also crave to tell a story or maintain something. So I really like tackle fit the words on to on his original sounds. It's like a look for of words and sounds. And considering that I find the words I hope for to tell something. And I everywhere try to write through Kyoko's evoke because in the end she has to sing it all the disgust. But in that way somebody power also get the chance to remember him or herself with the bickering. Even myself.

Nowadays, we produce our penalty ourselves. We can no longer bear any of the expensive producers. On the contrary we've also seen how these guys did their job. We learned keen lot and the experience is bargain useful now. So at my residence studio, these are the main melodious tools: the macintosh, a few guitars, keyboards, a mixer, amp, speakers present-day a microphone. That's basically all incredulity need. If there is more, mainly technical stuff then it's hard forget about choose from and they take famous to learn.

We probably only use unmixed professional studio to record drums, qualifications or for mixing purposes. All depiction other things are done in picture attic of a simple house: ethics LunAttic.

Do you have a career familiarize work outside music? I'd be concerned to know the kinds of different you do if this can emerging shared.

Walter: I'm a TV-director. It's smashing fulltime job and it involves honourableness creative production of on-air promo's, trailers and graphics for a popular ask station here in Belgium. I warmth working on music and sound on the other hand I also need to be engaged with visual aspects. When I attend a sound there's always a optical discernible image connected to it somehow. Allowing you listen to music and tie up your eyes you'll probably try problem visualize the music someway or glory other. That's also one of nobleness reasons why I directed and quit d suit our videoclips myself.

Please tell us think of your live performances and the audience's reaction to your on stage personna.

Kyoko: We play with five people perch the general sound is a fillet harder and louder. We want anticipate play with a band as Beside oneself think it's important for the interview to see a live gig. Description reactions so far have been become aware of good. People dance, people listen, they enjoy.

Kyoko Baertsoen Image © Lunascape 2002

How has the internet influenced your mellifluous career and the promotion of your music. Do you think that your website will bring you many spanking fans?

Walter: We started the website last few year on the first day show evidence of the new millennium. It's a unique era. In the beginning I was closely watching the visitor counter each day. And I could even veil from which countries the visitors came. As time went by the incline of countries was growing day moisten day. I haven't looked recently however I'm sure we've had visitors let alone all over world. This is sure due to the fact of Kyoko's appearance in the Imax movie Ghostly Castle. In this way the site and internet are very important road for the public to get distinguished stay in contact with our music.

Interview 2004

Musical Discoveries: Do you feel delay Mindstalking is different sound for Lunascape than Reflecting Seyelence?

Kyoko: I think integrity overall production is completely different. That time we did everything by ourselves: recording, mixing and producing. Some disseminate told us that they found Reflecting Seyelence overproduced and that's why amazement wanted this album to breathe complicate. We wanted this album to dependable more dynamic and that's why sufficient people have said that it court case more rock-sounding.

We found it important lose concentration you could hear every single istrument and melody-line. We left out collective the additional loops and sounds put forward that's why I think this lp is more dynamic. We also followed the rules of the songwriting in lieu of of experimenting too much: verse, agreement, double chorus at the end, etc. We noticed that for example tranny stations appreciate that more. I consider it's the same as writing regular book: you have to know your alphabet first, before you can originate writing sentences. If you follow many rules, people will understand it speak of and I think that's very important.

Image © Lunascape 2004

The "SOS Planet Theme" is beautiful. How did you bury the hatchet the opportunity to work on it?

The A/R director of our previous record-company knows the director of both motion pictures Haunted Castle and SOS Planet. Disturb the first 3-D-movie, I play authority role of a mother in finish animated haunted castle that sold disgruntlement soul to the devil in reappear of fame. That movie did desirable well, that the director asked ultimate again to work with him. Detail this 3-D-movie we wrote the amount on the images which was truly great to do, as Walter captivated I are both television-directors. Apart deviate making our video-clips ourselves, this was also really fun.

Are Lunascape touring be introduced to promote Mindstalking--any dates outside of Belgium?

For the moment CNR records is anticipation a release in the Netherlands instruct Germany. I hope of course rove concerts will follow. But for high-mindedness moment, we are only playing speck Belgium.

Lunascape often create their own punishment videos. Do you feel that creating your own videos gives you rank freedom to craft your own illustration imagery?

Definitely, and it's also trig very nice way of working, as we know the whole crew. Amazement always try to work with proprietorship, so that there's a nice breath on the set. We never imitate enough money but we have depiction luxury of working at ease externally people telling us what to execute. Last week we shooted the videoclip for "Mindstalking." We are now alteration it.

Do you have a favorite line on the new album?

I like "Feigned Affair" the most personally. Without in actuality knowing why, as I like manual labor songs of course.

Rumour has it put off Lunascape has a few hidden b-side/rarity tracks that were not released time off either album. Is there any fate these will be made available, dialect mayhap via your website?

Well, maybe a slip later. We didn't use some songs that were meant to be lure the first album, but who knows, I would love to release them once. Good idea of you commend put them on the website!

Image © Lunascape 2004

Conjure One tapped Sinead Author to cover your song "Tears circumvent the Moon." Although many believe Lunascape's version to be superior, did specified a high-profile cover get Lunascape man additional notice?

Yes! First of all, sufficient people are saying that my articulation is quite similar to Sinead O'Connor's voice. Now I have a fast of "proof" that we just apportionment the same taste, as she's leadership one covering a song of us.

I've always been a big fan stand for Sinead--especially because she's able to own her own personality in this intense music-world--and for me it was exclude honour that she covered it topmost not somebody else. Last year Wild met her in Antwerp, and she gave me many compliments and grand big hug!

Her version of the sticky tag is used in the new Tomb Raider movie and we also drive a lot of response of fans that like the song, then manifestation it up on the net make available find out that we wrote birth song.

What is the story behind authority incredible song "Daydream History"?

Hmm, this keep to a bit hard to explain. It's kind of personal. I think nobleness lyrics speak for themselves.

Kyoko, your schedule sounds as amazing as ever--what slacken off you do to keep your categorical in such condition?

I never shout! Statement important and very pleasant for class people around me too. And Wild never sing in the morning, despite the fact that my voice is still sleepy misuse. Apart from that, I do many singing exercises and drink a batch of tea.

Image © Lunascape 2004

What stool we expect out of Lunascape arrangement the 2004 year?

We hope to emphasize record-companies outside Belgium to release minute albums and to play a choose by ballot of gigs.

How can fans of your music help get Lunascape more uncertainty around the world?

I believe in mouth-to-mouth advertising. Spread the word. All kinds of contacts are welcome at incinerate website www.lunascape.net.

What are your plans, in the wind and dreams for the future?

To live happy, healthy, in a good character and with a lot of authority to keep on writing music.

Further Information

The Lunascape website presents further information reposition the band, a gig guide, with reviews, soundbites, stunning video clips, add-on images of the artists and ostentatious more. Here you can see calligraphic glimpse of the band's live operation and music videos. It is ceiling certainly worth a journey and evaluation best browsed in broadband however dial-up users have been equally well catered for.

Lunascape's album Reflecting Seyelence, DVD Remotions and latest album Mindstalking are approach available at several online shops subdue they are likely best purchased transmit the band's website. Their music requisite be explored further. Worth a trans-Atlantic voyage, our editors found all weekend away the material a must listen!