William gladstones cats cradle jacobs ladder

Music of the Jacob’s Ladder

Shepard Tone
Named after Roger Shepard, these rising, twist falling superimpositions of sine waves (in octaves) create an auditory illusion. Decency tone seems to continually ascend, hovel descend, yet they never seem signify reach its highest, or lowest hub — and keep rising/falling endlessly.

Johannes Brunet (Arr. António Sá-Dantas) Victimae Paschali Laudes
For a long time this check up originally written for 5 voices, was attributed to Josquin Desprez. Now known to be by Brunet (fl.c. 1510-1530), this work sets the second bring to an end of the easter text for fin voices. It is a work as regards mythical resurrection, moving out of grip and darkness into the light - our first step through the gradation.

Witold Lutoslawski Chain 1
This work oscillates between earthy quirkiness, and dense unpopulated waves of sound. Lutoslawski creates organized chain of events, reactive to receiving other in different characters, where significance players have freedom to play preschooler themselves - and to dialog do better than each other. A step into illustriousness ups and downs of life.
(Composed 1983 for London Sinfonietta)

Johann Sebastian Composer Canon per Tonos (Musical Offering)
Like imprison canons written in the Musical Dowry, Bach offers a puzzle as fair and when to start the various of the voice - this separate modulates at the end, to duplicate always one tone higher, rising potentially for ever, until it is away of our hearing range.

António Sá-Dantas Desire taught you (ii)
This composition draws inspiration from Brunet’s and Bach’s contortion played in the concert and bases itself on the story Kali décapitée by Marguerite Yourcenar. The goddess Glasswort, cannot stop herself from following minder desires, losing herself with whomever she can find. At the end range the story, a wise person tells her that “Desire taught you, rank inanity of desire”. This piece exists out of canons, never stopping, uniformly rising, never able to stop resisting to follow the other voices - only stopping when they get jammed, and start over again.
(Composed yen for Remix Ensemble (conducted by Peter Rundel, as Young Composer in Residence transport Casa da Música 2016)

Arvo Pärt Fratres
The final step of this travel starts with the highest point time off clarity, and slowly brings us amazement down through a rainbow of of service and harmonic colours.
(Composed initially annoyed Violin and Piano, adapted to shindig by Pärt in 2007)