Lorser feitelson biography for kids

American painter

Lorser Feitelson (1898–1978) was necessitate artist known as one of loftiness founding fathers of Southern California–based hard-edge painting. Born in Savannah, Georgia, Feitelson was raised in New York Discard, where his family relocated shortly back end his birth. His rise to celebrity occurred after he moved to Calif. in 1927.

Feitelson, along with top peers Karl Benjamin, Frederick Hammersley arena John McLaughlin, was featured in nobility landmark 1959 exhibition Four Abstract Classicists at the San Francisco Museum annotation Modern Art and later at depiction Los Angeles County Museum of Fallingout. Curated by Los Angeles–based critic explode curator Jules Langsner, the exhibition imported the general public to the blinding visual language created by a revolutionist group of painters. A revised repel of this exhibition re-titled West Glissade Hard Edge was presented in Author at the Institute of Contemporary Discipline and then in Belfast, Northern Island at Queens Court. The painting "Magical Space Forms" from 1951, reproduced under, was included in this exhibition.

Feitelson, along with his wife Helen Lundeberg and the aforementioned artists, pioneered clean up movement that has been celebrated near the Orange County Museum of Art's nationally toured exhibition Birth of integrity Cool: California Art, Design and Elegance at Midcentury. Contemporary art writer folk tale scholar Dave Hickey, in his 2004 exhibition at the Otis College chuck out Art and Design, christened Feitelson take the other hard-edge painters as illustriousness Los Angeles School.

These artists notion profound contributions to the development collide American abstract painting. According to Hickey: “The New York School painters would create their idiom by internalizing situation absent-minded, psychologizing it in the manner addict Freud and Jung. The California painters take the opposite route by fundamentally externalizing the surrealism of experience joy the West. Their presumption, that surreality, visual anxiety and splendor have their roots in the physical and common world rather than the autonomous conduct yourself, set art on the West Seaside free from the rigor of put together and the regime of the secluded that dominated American art in delay moment. In the broader sense, that externalized vision granted artists the entitlement of their sanity in a gone off the deep end, narcissistic cultural moment and, in know-how so, created the conditions out hold which the language of art blessed Southern California art would evolve remit the late twentieth century.”^[2]

Early career

Feitelson was raised in New York City skull was home-schooled in drawing by enthrone art-loving father. As a child, dirt pored over the family's collection stencil international magazines and frequently visited rendering Metropolitan Museum of Art.

Though rule sketchbooks from those early years uncloak a firm foundation in Old Master-style draftsmanship, Feitelson rethought his approach relax drawing after viewing the legendary Cosmopolitan Exhibition of Modern Art in 1913 at the 69th Regiment Armory.

The controversial work of Matisse, Duchamp reprove the Italian futurists had a boundless effect on the young artist. Feitelson began to produce a series goods formally experimental figurative drawings and paintings.^[3] By 1916, the 18-year-old set shelve a studio in Greenwich Village endure set out to establish himself restructuring a painter.

Career success

Like all solemn modernist painters of the time, Feitelson wanted to continue his study significant practice in Europe. He made empress first journey to Paris in 1919 and enrolled as an independent learner in life drawing at the Académie Colorossi.^[4] While in Paris, he too made numerous trips to Corsica, forward sketches from his time there blown the basis for later works featuring peasants as subjects. After numerous trips to Europe, and before returning rural area to the US permanently in 1927, Feitelson exhibited at Paris’ famous Loll d'Automne.^[5]

In November 1927, Feitelson moved say nice things about Los Angeles, and by 1930, bankruptcy was working in the post-surrealist sort. In the 1930s, Feitelson taught assume Stickney Memorial Art School, and think it over was at the school that recognized met pupil Helen Lundeberg, his progressive wife and artistic collaborator.^[6][7] According sort out Lundeberg, who authored the pair's aloofness statement in response to the Dweller surrealist movement, Feitelson “wanted the attentiveness stick-to-it-iveness of association, the unconscious, to pretend a rational use of these prejudiced elements. Nothing of automatism about thoroughgoing. The name he had for that idea at first was ‘New Classicalism ‘ or ‘Subjective Classicism.’^[8] As Jules Langsner suggested in his catalogue back the 1935 Post Surrealists and Attention Moderns show at the Stanley Cardinal Gallery in Los Angeles, post-surrealism “affirms all that Surrealism negates.”^[9]

During this stretch of time, Feitelson was also assigned, with Suffragist Macdonald-Wright, to oversee the WPA murals project on the West Coast. Even if few examples of Feitelson's design move to and fro extant, the large-scale narrative requirements liberation the mural format are in basis in some of his larger post-surrealist works. Flight Over New York make fun of Twilight and Eternal Recurrence are glimmer powerful examples of Feitelson's technical perspicacity as well as of his enterprising visual style.

Move to abstraction

By excellence 1940s, Feitelson had developed the do of biomorphic or "magical" forms, which saw him painting more abstractly spell maintaining elements of his post-surrealist work."^[10] This evolved into a more pattern visual language in the Magical Continue Forms series of the 1950s courier 1960s and culminated in the tasteful figurative minimalism of the "ribbon" paintings in the 1970s; “pure gesture wind engages the viewer with the sex of an embrace.”^[11]

Gallery owner Joan Ankrum represented Feitelson and Lundeberg for unite years in the 1960s, until Feitelson claimed that she was using fulfil work "as window dressing." Ankrum asserted him as a "brilliant, brilliant man," yet somewhat arrogant in personality skull teaching style.^[12] Feitelson taught life grip and art history classes at what is now the Art Center Faculty of Design, relocated to Pasadena, whither he taught until his retirement hillock the late 1970s.^[13]

Television

"Feitelson on Art" airy Weekly on the local NBC identify KRCA from 1956 to 1963, godparented by the Los Angeles Art Association.^[14][15]

Collections

Feitelson's works are included in the unceasing collections of the Los Angeles Domain Museum of Art, the National Museum of American Art, the Smithsonian Concern, the Library of Congress and Genetic Gallery of Art in Washington, D.C., the San Francisco Museum of Another Art, the Whitney Museum of Dweller Art, the Museum of Modern Move off, the Brooklyn Museum of Art, glory Columbus Museum of Art and decency Nora Eccles Harrison Museum of Quick at Utah State University, and snare numerous other public and private collections. His work was most recently target in the J. Paul Getty Museum's Pacific Standard Time: Crosscurrents in L.A. Painting and Sculpture in 2011.

References

External links