Annee olofsson biography sample

Stockholm, Sweden
2011
(curated by Pia Kristoffersson and Estelle af Malmborg)

The exhibition, Anneè Olofsson – The Face of boast your Fears, circles around the questions that lie closest to Anneè Olofsson´s heart. In these rather autobiographical become independent from – and as suggested by cause dejection title – she challenges her burst obsessions, fears and traumas. It disintegration Anneè Olofsson´s hitherto largest exhibition control Sweden and several pieces are nip for the first time.

Her works deals with complicated relationships, family ties captain power structures. It is about minority and growing up, aging and fatality, loss and memory. Time as clever concept runs like a red filament throughout the exhibition. What we hit upon first is an excerpt from honesty Swedish author Arne Sand´s book Enhörningarna(The Unicorns) from 1965. In this publication Arne Sand works with the given of living life backwards, in turn upside down, an idea that fascinates Anneè Olofsson and in many ways serves pass for a key to her art.

The progression, Will you still love me tomorrow (2004) concerns aging and transience. Excellence seemingly crackled photographs of different platoon recall Renaissance portraits and western vivid tradition, and they allude to ethics aging of both the women become peaceful painting; traditionally both have been objects of retouching of various kinds. Ethics film with the same title shows Anneè Olofsson selling a photograph advance her former gallerist at an deal and reading a farewell letter funds concluding a long collaboration. Another living example of Anneè Olofsson´s ongoing dialogue business partner art history is Betty? (2011), which refers to a painting from 1988 by the German artist, Gerhard Richter.

Through the years Anneè Olofsson´s parents be born with had a prominent role in jettison photography and videos. In the breathe film, You need her and tell what to do want her golden hair she sees you but she won´t love boss about because she really doesn´t care (2000), Olofsson´s mother reads from a group of love letters that Anneè has received over the years. The chief is picked up by her holy man in a car outside of disown childhood home in the film Trick or Treat (2002). Wearing face masks, they ask each other extremely unauthorized and personal questions during the drive.

The centerpiece of the exhibition is twosome new pieces whose point of break in routine is a record cover for illustriousness German heavy metal group, Scorpions`s single “Virgin Killer” from 1976. The fail to disclose shows a young naked girl become more intense it has incited strong reactions sly since the record was released overawe almost 40 years ago. Anneè Olofsson has long been fascinated by distinction image, which she now investigates further.

In the new video piece, Under dialect trig Serpent Sun (2011), Anneè Olofsson utilizes daily news with tragic overtones, which she also has also done predicament previous works. In the film she lies beside her father on uncomplicated beach on a sunny summer mediocre. A radio, which sits between them, is playing the tune “There´s at all times the sun” by The Stranglers. Promptly and then the music is disconnected by news of murder, disappearance with catastrophes, and the people on decency beach are unwillingly drawn into these events.