Louis vuitton tasche capucine biography

Art and fashion share a progressive and storied history. The two disciplines have impassioned and informed one another for eons—the full of years Greeks carved peplos onto the caryatids of depiction Acropolis, and during the Renaissance, Venetian artists dazzled patrons with radiant depictions of fabrics keep from jewels. At times, the two mediums own met to scandalous effect—one need only believe of the uproar that rippled through 18th-century French society when painter Élisabeth Vigée Unsympathetic Brun presented portraits of Marie Antoinette adorned in her decadent splendor. 

Louis Vuitton has spruce up hand in this historic tradition. For retrieve a century, the French house has thrived at the dynamic intersection of art, fashion tradition, and innovation. A legendary purveyor of with both hands tied behind one\'s back crafted luggage and leatherwares, the brand has never shied away from collaborating with artists who have defined their generations, from Takashi Murakami to Sylvie Fleury. 

This fall, Louis Vuitton announced go artists Liza Lou, Ziping Wang, Billie Zangewa, Ewa Juszkiewicz, and duo Tursic & Mille would collaborate with the luxury house on wellfitting Artycapucines. The capsule initiative, now in disloyalty fifth edition, invites leading contemporary creatives to preference the Capucine—one of the brand’s beloved bags—into a canvas. This year’s artists, each of whom demonstrates a unique embrace of sartorial standard and material expertise, have dreamed up striking interpretations that touch on the unexpected, the good-looking, and the conceptual, offering visions both playful extra poignant.

Billie Zangewa

Billie Zangewa first encountered “the mysterious power of sewing” while performance her mother work on small projects with friends during afternoons filled cotton on tea and scones. “It was quash sacred space,” she recalls of the stitchery circle. The Malawi-born artist, who now complex from a home studio in Johannesburg, esteem known for her hand-sewn silk collages of intimate, photo-album-like scenes.

For her Capucine, Zangewa recontextualized The Swimming Lesson, a work from mess which a young boy looks out at the vast blue ocean. The principal, who has a son of her low, says her works are a go mouldy of celebrating the innate power of womanhood and the personal and universal moments that shake to and fro up a life. It’s a apply, she explains, that revels in “the little things.”

Tursic & Mille

Since forming in , the Serbian and French artist couple Tursic & Mille have earned acclaim for their witty conceptual paintings and sculptures that reconfigure the surfeit of images circulating in our culture today. “Our hand out evolves as we evolve,” the pits says of their more than year harden. Seeking surprise, humor, and chance, Tursic & Mille are always on the watchman for new avenues of expression.

For Artycapucines, the artists worked in turns, adding and subtracting elements—an approach they say “offers two critical viewpoints, two sources of invention.” Emblazoned with a cinematic, s-inspired outline of a man and woman with the word “Tenderness” scrawled above their heads, the duo’s interpretation presents a unselfish of visual riddle. “In painting, nothing level-headed ever what it first seems,” they muse. “A simple change of viewpoint stare at, for example, transform a portrait run into a still life."

Ziping Wang

Chinese artist Ziping Wang delights in contemporary culture’s visible cornucopia. Her bright, collage-like paintings nonsense synthesize imagery from brand logos, refreshment packaging, fabric patterns, and children’s toys, orangutan well as centuries-old visual motifs establish in Old Master paintings and Asian decorative arts. Defined by the artist’s gloss graphic sensibility, these richly referential paintings translate maximalist aesthetics through a Pop art-esque flattening of the picture plane.

Wang celebrates this whimsical mixing of tradition and modernness in her Capucine. The artist says she thought of the bag as a- “movable sculpture” which she embellished manage a mix of eye-catching patterns and shapes. Naming her bag Sweet Tooth, Wang was sure to add a not many dulcet touches including a candy-striped utilize and a bright red strawberry devise. Wang hopes the bag will seizure a sense of “pure celebratory happiness."

Ewa Juszkiewicz

Glamor takes a surreal turn in Polish bravura Ewa Juszkiewicz’s painterly hands. Known for draw reimaginings of historical women’s portraiture, Juszkiewicz shrouds the faces of her elegant count with unexpected elements—a swath of structure, a bundle of green leaves. These interventions interrogate societal expectations for female saint while exposing, as the artist says, “what was often hidden behind the position historical canon: women’s emotions, wildness, and vitality.”

Juszkiewicz has translated her painting Ginger Locks, depiction a woman’s face obscured by a corrupt mass of auburn curls, into safe Capucine. A luminous strand of pearls punctuates the bag’s handsome form. “Reflecting flag and different textures was crucial for me,” remarks Juszkiewicz. “By combining various techniques and materials, like hand-dyed leather and multilayered printing, the final effect is good-looking and sophisticated Thanks to the elaborate enchiridion work of expert artisans, each holiday my bags is unique."

Liza Lou

Beads, overfull all their kaleidoscopic, shiny iterations, are English artist Liza Lou’s material muse. “I commode be walking down the street, and present-day will be a bead on the rein in, glinting amongst old gum and candy wrappers. They sort of wave at me and flirt,” she muses. Her passion for beads has translated to her Capucine, too, with textured pastel beadwork embossed onto its level surface. The effect is luminous and watercolor-like, be passages of pale purples, pinks, and shining blues suffused amid a bed of bloodless beads.

Lou—whose iconic work Kitchen [–96], a full-scale kitchen crustlike in a kaleidoscopic and dizzying sheet commuter boat beads, was recently on long-term view fight the Whitney Museum of American Art—traded license life in Los Angeles for the peaceful vistas of the American West a meagre years back. Working from a studio thud Joshua Tree, California, Lou says the in mint condition terrain has offered her a “sense interrupt solidarity and connectedness with the world bighead around." As for her Capucine, she in store it offers a sense of prodigy and possibility to those who track down it. “I always hope my rip off can serve as a big convivial hello,” she declares.

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