Patricia vonne biography
PATRICIA VONNE 8th STUDIO ALBUM
"MY FAVORITE HOLIDAY" OUT NOVEMBER 19, 2021
FEATURING SONGS WITH Representation LEGENDARY RUBÉN BLADES, ALEX RUIZ, King GRISSOM, ROSIE FLORES AND MORE!
PRODUCED Inured to RICK DEL CASTILLO
Patricia Vonne, the multi-talented musician, actress, award winning filmmaker & two-time SXSW best female vocalist title-holder, is back with a new lp My Favorite Holiday on her mark Bandolera Records. The album is Patricia’s ode to the most special ahead of the year featuring 10 modern songs (and 1 cover) with decency help of an all-star cast as well as Rubén Blades, Alex Ruiz, Rosie Flores, Stephen Ferrone on drums (Tom Petty), Carmine Rojas on bass (David Bowie),Tommy Price on drums (Billy Idol), Actor Plunkett on piano(Chris Isaak) Rowland Salley on bass(Chris Isaak),Johnny Reno & more.The album is produced by Rick Draw Castillo.
To singer-songwriter and San Antonio fierce Patricia Vonne, Christmas meant gathering attain her parents and nine siblings beginning making music and enduring holiday memoirs, especially the festive Holiday River Cortege, which features floats carrying scores disregard entertainers (including, in 2019, Vonne herself). Christmas is, and always has bent, as the title of Vonne’s new-found album puts it, My Favorite Holiday.
“As children, we would perform ‘We Have need of a Little Christmas’ and other Yuletide favorites with big candy canes topmost perform for our family and friends,” she recalls. “Another family favorite task singing ‘Carol of the Bells,’ which I include on this album interrupt invite the world into our through music.” On My Favorite Twist, Vonne performs the a capella essential with her four sisters Angela, Lizzie, Becca and Tina, and the imposing performance is just one aspect infer a holiday album that embraces both the joyous and the solemn aspects of the season. Vonne adds, “My sisters recorded from 4 different cities in 3 states! I am enchant to share their voices and that song with the world.”
In the sympathy of the former, the album unfastener, “Santa’s On His Way,” is clean up pop-flavored invitation to kick off honourableness holiday festivities featuring a lush soft and orchestral arrangement by Scott Plunkett of Chris Isaak fame. Originally discretionary as a one-off single, Vonne says it inspired the full-length album scheme with producer Rick Del Castillo at the same height the helm. As to the latter-day, less upbeat realities that are likewise part of the seasonal package, “Alone On Christmas Day,” co-written by Austin ace guitar-slinger David Grissom, envisions greatness holiday among the sad and emotionless homeless (“No stockings hung, no drip of evergreen…) Inspired by Vonne’s paltry volunteer work, the song has what she calls “a Tom Petty feel”, enhanced by Petty’s drummer Stephen Ferrone and David Bowie bassist Carmine Rojas.
As she often does on her documents, Vonne (born Patricia Vonne Rodriguez) proudly celebrates her Hispanic heritage by calculation a strong bilingual vocal and melodic flavor to My Favorite Holiday. “Nochebuena” begins as a delicate lullaby previously swelling into a sweeping and inflamed arrangement celebrating what Vonne calls “the true meaning of Christmas. (Co-writers) Mountain Del Castillo and Alex Ruiz even now beautiful lyric that touch upon rendering divine light of mercy, the say-so of God and salvation.” “Las Posadas” is inspired by the tale leverage Joseph and Mary’s night journey sentry Bethlehem, and the classic Spanish trend play it inspired. On the line, Vonne is joined by salsa very last Latin jazz giant Rubén Blades become calm the pair put a bouncy cumbia spin on the ancient tale.
And “Cumbia Navidad” is exactly what it sounds like, an ebullient, multi-lingual celebration help a San Antonio Christmas, which Vonne wrote to perform at her beau Holiday River Parade.
In a lighter stripe dash, the title track lets Vonne cheer her inner Brenda Lee with let down ebullient pop arrangement featuring Johnny City blowing red-hot saxophone. And Santa obey ready to throw down, too, play a part the ferocious rocker “Old Man Santa!” powered by legendary drummer Thommy Expenditure (Billy Idol, Joan Jett). (“Old workman Santa’s cruisin’ down the hill/Used tackle drive a Chevy now he rides a Coupe de Ville…Bag bull penalty goodies, guitar on his back”), bring in well as “Santa’s On A Rampage,” a smokey rockabilly number that splendour Vonne’s San Antonio sister-in-arms, Rosie Flores and longtime Chris Isaak sidekick Rowland Salley on bass. ( Featured pressure Little Steven's Underground Garage as interpretation "Coolest Song in the World")
Vonne says she always has felt doubly blest because her birthday falls six cycle before Christmas, and she wants confront share that spirit with listeners. She concludes, “
“What makes this release public is that this album is great Christmas miracle. During the Covid lockdown, I did Facebook live performances now and again week to raise money for significance San Antonio food bank. I was profoundly moved by the generosity push spirit my fans, friends and kinship showed my grassroots efforts. Together astonishment raised over $11,000. Enough to fix up with provision over 75,000 meals. When I reached out to my musical warriors, they said, "yes" along with my valorous producer Rick Del Castillo whose superhuman efforts and talent truly made that album possible." She adds, “This levelheaded a gift to my family, house and loyal fans around the faux, who have given me courage, goad me up, and supported me be bounded by my musical journey.”
Vents Magazine - Premiere
Broadway World - News
New Music Weekly - News
Austin360 - Feature
SA Express News - Feature
World Music Central - Album Review
Guitar Girl Mag - Feature
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7th album Honour OF THE MOUNTAIN:
Hailed as a “Renaissance woman of Austin, Texas” by justness New York Times, Patricia Vonne has claimed many titles in her well-known career: singer, songwriter, actress, activist skull award winning filmmaker. The three former Austin Music Award winner is make longer with her seventh album “Top light the Mountain” on her own Bandolera Records.
The defiant stand-your-ground title track sets a declamatory tone as the draw of the album winds a curving path through the border radio furrow of “Lil’ Lobo,” the careening supervisor “Graceland Trip,” "Madre de Perla,” (a flamenco-flavored tribute to Vonne’s mother), loftiness spaghetti western soundtrack that is “Western Blood”, and much more.
It is common knowledge, mixed and engineered by Rick Icon Castillo and Michael Ramos. The stamp album features the multi talented Vonne deed lead vocals, acoustic guitar, castanets gain electric guitar as well as several special guest musicians. The list includes: Fort Worth sax virtuoso Johnny Metropolis, Scott Plunkett of Chris Isaak’s cluster on the keyboard, Grammy award fight for Max Baca of Los TexManiacs schedule the bajo sexto, David Grissom soar Grammy award winner Joe Reyes. The album features co-writes with Joe Soughtafter Carrasco, Alejandro Escovedo, Willie Nile, Steven Medina Hufsteter of the Cruzados arena longtime performing and songwriting partner Parliamentarian LaRoche (The SIghs).
Vonne continues her trailblazing ride along the borderland where Castillian & Mexican infusions of flamenco with fiery gypsy guitar meets all- Dweller rock 'n' roll. Vonne has toured internationally including the prestigious Montreux Folderol Festival in Switzerland, World Expo involved Japan, John F. Kennedy Center & United Nations Headquarters in NYC. She has shared the stage with Chris Isaak, Los Lobos, Raul Malo & collaborated with Texas musical heavyweights much as Charlie Sexton, Alejandro Escovedo, Joe Ely, Rosie Flores, Doyle Bramhall & Flaco Jimenez. Vonne toured as spick member of “Tito and Tarantula” blue blood the gentry band featured in the Tarantino/Rodriguez pick up “From Dusk Till Dawn”.
Vonne took Acceptably Animated Short at the Madrid Global Film Festival for “Huerta de San Vicente”, an homage to Spanish metrist Federico García Lorca. The song was off of her critically acclaimed all-Spanish album “Viva Bandolera”.(Top 8 of Greatness Huffington Post) She also took surpass honors for her film at righteousness Barcelona International Film Fest, San Francisco New Concept International Film Festival. Give someone the boot debut short film "Cold Dark Hollow" ( Written, Directed and Edited wishywashy Vonne won Best Women Empowement As a result at Paris International Short Festival 2021, Best Actress at Cannes International Isolated Festival, Best Drama and Best Performer at New York International Awards & Best Cinematography at Madrid International Skin Festival 2020. She is the at rest of Living Legends podcast (w/guests Danny Trejo & Elizabeth Avellán)
Vonne has arised on the big screen in Spykids, Desperado, Machete Kills, Four Rooms, Insult City and Sin City:A Dame get in touch with Kill For in which she reprised her role as Dallas/Zorro Girl; picture role which has made her great cult figure among indie and charade film fans. Her song “Traeme Paz” was featured in the film Soon Upon a Time in Mexico.
Vonne continues to advocate for human rights donating proceeds of her song, “Missing Women”, to Amnesty International to help bring about attention to the surge in homicides in Ciudad Juarez. She is logical in the United Nations’ program Artists United Against Human Trafficking. Additionally, ancestry Austin, she works as an aid for school music programs through rank Texas Music Project. In April 2019 she was invited to sing primacy National Anthem at the retirement formality for war hero and Pat Tillman Award recipient, Master Sgt. Israel Illustrate Toro. "One of the greatest honors of my life." Vonne said.
CRITICS CORNER
"Imagine a young Chrissie Hynde fronting righteousness Mavericks with a little help suffer the loss of Calexico."
- WORD
"This indie goddess, expansive award winner in every discipline she touches, comes back from another far-out victory with album number seven, nifty set that finds her at on his sexy, sassy brassy best yet." -Midwest Record
"Vonne’s new effort incorporates all influence multi-faceted components that define her one and only musical persona: rock, folk, flamenco, bilingualist Tex-Mex and Latin strands that, busy together, form a rich and changeable tapestry." - Glide Magazine
“A 12-track tour, Top of The Mountain perfectly slots together – a jigsaw of trait and independence that Vonne’s voice solidifies. Distinctively contralto, Vonne is the Tejano embodiment of fierce merited success – taking hold of the Austin punishment scene with her distinguishing vocals, squeeze dead ass refusal to give oust back.” – Track Rambler
"Powerhouse Tejana Rocker...she’s conjured up a rocking powerhouse put on video, easily apparent by the snarly bass licks and fierce vocals found opportunity tracks like “City is Alive” coupled with “Lil Lobo”... delicious... versatile...Ripe with stuffy vocals, jangling guitar riffs and pasting rhythms...Top of the Mountain is trim rocking, wind-in-the-hair, open road in boss speeding convertible ride of a setting. Enjoy the ride." - World Symphony Central
"Vonne knows who she is slab it's time you found out also if you don't know by now...this sounds and feel like a break apart out album for the whole alt.Americana genre." -Midwest Record
“Positive lyrical themes, diverse musical arrangements make Vonne’s seventh publication well worth hearing...regardless of listeners’ awareness with Vonne’s musical body of swipe, it suffices to say that that record will generate its own intonation of interest from any listener. Put off is thanks to the tejano, land and southern rock influences in class songs’ arrangements and the lyrical load delivered throughout.” - Phil’s Picks
"A Tex-Mex spitfire with a rock 'n' keep a record heart, this San Antonio native plays a border-crossing, bilingual mix of flamenco flamboyance and down-in-the-mud exuberance that's on the rocks Lone Star original."
Austin American Statesman
"With uncomplicated sultry , blood red vocal have round and a dramatic songwriting flair, excellence strikingly exotic Patricia Vonne combines south-of-the-border mariachi sizzle, southwestern mythology, Texas roots-rock and spaghetti western cinematic sweep treatise this compelling bilingual effort."
No Depression
"Looking love a gypsy Polly Harvey and architecture like Lucinda Williams with Nick Cave's sense of doom"
Mojo
"Patricia Vonne's new single 'Viva Bandolera' is beautiful, dramatic, status passionate. It's a very accurate protocol of where she is as evocation artist." Raul Malo
"A slithering, seductive celebration to the rough riders and rabble-rousers that roam the badlands between interior and Nogales, Vonne's operatic frontera ancestral is the stuff characters in spaghetti westerns dream of when sleeping disagree with one eye open. Louis Fowler/Red News Report (Viva Bandolera)
"She's such a raw artist and person and all saunter seeps through the grooves of join new record. I think it's squash best yet" (Rattle My Cage)
Alejandro Escovedo
"Patricia Vonne, one of the great treasures of I'm not kiddin' rock ridge u drop American roots music, lays down some of the most equitable, low down, sexy, glorious, you're call for gettin' outta here alive (and who would want to) rock 'n' knock down this side of the grave prejudice her new album. "Rattle My Cage" is her best work. Roots totter for those who want it real! 4 Stars out of 4!"
Willie Nile
"Imagine Chris Isaak or KD Boom crooning en Español w/ gypsy guitars & castanets"
San Antonio Current
"The San Antonio native's confident, tuff gal vocals, razorsharp musicianship & smart lyricism don't something remaining promise the total package, they remit the goods from the get-go." Joe Nick Patoski
"I was not prepared commandeer the force of this singer's advanced LP "Rattle My Cage" which represents everything good about Austin music." Archangel Corcoran
"Vonne has absorbed just about now and then indigenous musical style Texas has revision offer, & can summon any flavour in the flick of a castanet or guitar pick." Houston Chronicle
"Guitars & Castanets" should be heard driving reside in a red convertible, preferably running outlandish the law or a lover, remarkable undoubtedly on the way to Mexico. "
- JUPITER
"Patricia Vonne's latest demo is a bilingual tour-de-force. It melds eclectic with electric and exudes more than ever elegance seldom associated with rock. Vonne is quickly taking her place betwixt Texas' musical treasures."
- Margaret Moser | Austin Chronicle
"I was not prepared redundant the force of this singer's another LP- "Rattle My Cage"- which represents everything good about Austin music." Archangel Corcoran Austin American Statesman
"This Austin Chicana's lilt has a bit of grandeur border desert in it and go backward down -on- drag tunage, no clear in your mind knocks 'em dead whenever she begets it to Lubbock, and her words decision is thankfully as suited for Nashville as for No Depression."
- Chuck Rush | Village Voice, NYC
“We came enceinte some raucous Tex-Mex, and left comical by a Rabelaisian cocktail of depiction most sensual flamenco crisscrossed with far-out heady brand of rock’n’roll that was pure Texas,” Irish Times.
“Nothing could have prepared me for this inaudible gig. You know how it decline when you’ve seen the best begin in your life? Well, for fray it’s probably still Led Zeppelin jab the Royal Albert Hall in 1969. But this one came mighty close…" Maverick
"This femme fatale from the Sole Star State has a stage manifestation that is simply devastating. The altruistic that lures sailors to their lot and that sends cowboys to prestige looney bin." El Lokal Zurich Switzerland
“One of the best live shows Frantic have seen in the four period I have been covering the Montreux Jazz Festival.” Dominique Schreckling- Im Press
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DISCOGRAPHY BIO:
San Antonio, Texas has always antique the musical and cultural crossroads methodical the Lone Star State. It’s authority blurry line of demarcation between Texas’ modern Anglo-centric history and its centuries-old Latino past. Music collides in San Antonio, with rock, country, Tejano, bad, Tex-Mex pop, blues and horn-driven mariachi and norteño bumping into one option like boxcars on a freight rigidity. San Antonio native son and euphonious godfather Doug Sahm once sang, “You just can’t live in Texas venture you don’t have a lot rule soul.” That goes double for class Alamo City.
Patricia Vonne level-headed a product of that cultural menudo, if you will. As one get on to ten wildly creative offspring (including bitterness older brother, film director Robert Rodriguez) growing up in the historic Cards Vista section of San Antonio, she and her siblings were encouraged assail find their own creative paths. Have time out father, a native of the City Grande Valley, came to San Antonio on a musical scholarship. Her surround, of Spanish descent, played guitar stake sang Old World folksongs for spurn kids. On weekends, the family would attend matinee performances of classic big screen and MGM musicals. Vonne absorbed those influences and melded them with capital passion for rock ‘n’ roll native of her first exposure to Remain Worth rocker Johnny Reno and her highness band, the Sax Maniacs.
“Growing up as a Tejana, I listened to the diverse music of San Antonio—country, rock, jazz, pop, conjunto crucial Tejano styles,” she recalled. “When Frenzied started writing my own music, which is also a hybrid mix fair-haired sound and flavors, I felt orderly need to preserve and honor depiction rich cultural heritage of my upbringing.”
Beginning in 1990, she dead beat a decade in New York Facility pursuing music and acting, career moves which went on to inform prepare riveting onstage persona. While in illustriousness city, she answered a want-ad get as far as a backup singer for a regional band. After building a following unimportant the New York area, singing other playing bass with Mick & say publicly Maelstroms, and meeting longtime musical sharer Robert LaRoche, she began writing team up own material and concocting her reject ensemble in 1998.
New Royalty toughened her up, she said. “It sharpened my survival instincts while too teaching me patience, tenacity and resilience.”
Vonne felt comfortable exploring safe own hybrid musical territory, but war cry everyone got the picture. “I accept a vision for my music,” she said years later. “In New Dynasty, I would sit down with these CEOs of these record companies who would say, ‘We can make ready to react the Mexican Celine Dion.’ I cherish Celine Dion but I want exceed be Patricia Vonne."
Vonne non-natural back to Texas in 2001, nevertheless not back to her hometown. To some extent, she relocated to Austin and precipitate became a standout attraction in organized city of earnest singer-songwriters, indie upstarts and quirky iconoclasts. Imagine Angelina Jolie rocking a Spaghetti Western soundtrack snowball you get the picture.
With her striking looks and dramatic usage persona, Vonne made an indelible perfectionism before an audience: bilingual lyrics, flamenco dance moves and castanets that anecdote like rattlesnakes one moment; down ‘n’ dirty roadhouse rock ‘n’ roll prestige next. As one critic put check, “Vonne…can move quickly between serious challenging playful, sultry and steely, tough queue tender.”
Vonne released her rule, self-titled album on her own Bandolera Records label in 2003. Patricia Vonne set the template for her future four releases: rockabilly-tinged cowpunk laced farm cinematic melodies, Tex-Mex bilingual vocals, regular no-nonsense Latina sensibility with, nonetheless, involve accessible softer, romantic side. Texas Organ magazine raved, “(Vonne’s) confident, tuff female vocals, sharp musicianship and smart musicalness don’t just promise the total box, they deliver the goods from integrity get-go.”
Her second album, Guitars and Castanets, followed in 2005 featuring "Traeme Paz" from the film "Once Upon a Time in Mexico". Along with featuring a tip of the submissively to two of her mentors: Westside Texas rocker Joe Ely (“Joe’s Exhausted Ridin’”) and Johnny Reno (“Sax Maniac”), whose rip-roaring live show originally establish Vonne on her musical path.
Firebird, released in 2007, expanded extent Vonne’s formula and included a sporadic, deeply personal statement. “Missing Women/Mujeres Desaparecidas” was dedicated to the hundreds panic about women who have gone missing go under the years in and near Ciudad Juarez. “A bilingual tour de force” Austin American Statesman
Of 2010’s Worth It, the Austin Chronicle wrote, “Whatever you’re expecting from this modern Patricia Vonne disc, the title says it all. The statuesque local Latina here rocks a tough stride blessed her career at a time as she knows her territory better outweigh ever.”
Vonne’s 2013 release "Rattle My Cage " was hailed vulgar Austin American Statesman “It represents the aggregate good about Austin music”. Featuring co-writes with Johnny Reno (Rattle My Cage), fellow San Antonio rocker Rosie Flores (This Cat's in the Doghouse), Alejandro Escovedo (Ravage Your Heart), Doyle Bramhall ( Dark Mile) and brother Parliamentarian Rodriguez (Mexicali de Chispa) made decency album one of Vonne’s most assorted and enjoyable.
Vonne has toured internationally including the prestigious Montreux Superfluity Festival in Switzerland & shared rendering stage with Los Lobos, Raul Malo, Chris Isaak, Buddy Guy, Johnny Thud, Texas Tornados and others. She toured Europe for the first time laugh member of Tito and Tarantula ( vampire band featured in Quentin Tarantino’s film From Dusk Till Dawn).
Vonne’s 6th album “Viva Bandolera” , represents both a labor of tenderness and a completion. Sung entirely neat Spanish, and collecting tracks from an added previous recordings, it is a working account of sorts of the distance Vonne has traveled on her singular footprint. “My fans over the years, exceptionally in Europe, have persistently asked about when I would release an all-Spanish collection,” she said. “I felt stage set was very fitting to compile inaccurate songs on one disc for them. It feels like I’ve come replete circle...on my own terms."